Tara Cooney

Tara CooneyTara CooneyTara Cooney
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    • Home
    • Animation
      • "PLAY"
      • "FLEUR"
      • ALL PROJECTS
    • Comics
      • "MASTER OF NONE"
      • "ALL PRONOUNS BITCH"
      • "HEAR ME OUT"
      • "LIVE YOUR BEST LIFE"
    • Photography
    • Collage
    • About

Tara Cooney

Tara CooneyTara CooneyTara Cooney
  • Home
  • Animation
    • "PLAY"
    • "FLEUR"
    • ALL PROJECTS
  • Comics
    • "MASTER OF NONE"
    • "ALL PRONOUNS BITCH"
    • "HEAR ME OUT"
    • "LIVE YOUR BEST LIFE"
  • Photography
  • Collage
  • About

"FLEUR" my process: from idea to execution

The Inspiration

Growing up, my mother had sowed a big lavender plant in our backyard. Every spring, the bush would bloom with sweet and fragrant flowers. With such beauty came graceful and dedicated protectors- bumblebees! These bees were the most gentle and docile creatures I ever had the pleasure of meeting. They allowed me to film them up close and personal with a macro lens attachment for my phone, careful as not to interrupt their important work. 

To the left is a Vine I made in 2016 of my flying friends pollinating my favorite flowers. 

Those warm and redolent memories inspire me to this day. 

The Sketches

The Purpose

I was taking Experimental Animation with the lovely Lisa Barcy at DePaul University when I made "Fleur." The class was given an assignment to work with found imagery to create a 10 second collage animation. Seemed straight forward enough, until Professor Barcy added one extra step- animate particles!

Sand, rice, even hair trimmings were being used in the studio, everything except glitter. As a maximalist, I was disappointed about this rule, but it worked out in my favor because it pushed me to find another, less messy particle-dried lavender flowers!

The Shoot

This was the first test I did with my materials on the down shooter station. I liked the mechanics of the animation itself, it looked like wind was blowing through the plants, but the composition was off. Using an old map as a backdrop was proving to be unsuccessful. The road lines made it  too busy and since red is complimentary to green, it took away from the purple lavender- which was the bees' co-star.

The Multiplane

I wanted to create dimension and depth, as if this story was taking place in a humongous lavender field. I used a down shooting camera station with a glass table that worked to double my planes. To the right is a video of the set-up. The blurred, out of focus background broadened my environment and gets the viewer thinking, "What's the deal with these bystander bees?" 

The Final Film

After I added sound and did some basic color correction, editing, and compiling, the film was complete! I was, and still am, very happy with how "Fleur" turned out. The truth is, I just started animating and playing around with things, and the story unfolded from there. I didn't have the idea of the wasp and mutant bees, before I started in the studio. These kind of experiences in animation are so serendipitous and beautiful- they truly keep me doing what I do! 


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